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  • CONTENTS IN THIS ISSUE


    EASY LISTENING
      
    06 Profile:Corine Bailey Rae
    08 This month:The Sellafield Nuclear Power Plan
    10 Strange Stories:It’s a Strange, Strange World!
    18 Teacher’s Corner:Card Words
     
    NEWS 
    04 Letters & Club
    27 Crosswords
    45 The Good Life
    46 Agenda
    47 Cultural Matters
  • Every December, when Christmas is approaching, I have this feeling that it’s all a lot of Much Ado About Nothing. Traffic is at its worst; events, meetings and presentations abound; our schedule tightens; it’s impossible to go on vacation; and we come out on December 27 or 28 with our souls overwhelmed by exaustion. Why is it so, year after year? Of course, children love this time, normally more than any other time, but this love we certainly have “bought” with presents, haven’t we? I believe that the great hustle and stress come from a big effort not to see something, which happens to be the very reason of Christmas itself.

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346 - Recommended Reading: Shakespeare revisited

Matt Haig (Standard British accent)

Hello, I’m Matt Haig. I’m a… author, I’ve written two… two novels based around Shakespeare – my first two novels – and my very first novel in English was called The Last Family in England. And... it’s… it’s a very strange book, I suppose, but it’s based on an obscure-ish Shakespeare play, the first Henry IV play, Henry IV Part One, and… but my… my play – my novel, rather – isn’t set in the past and it doesn’t involve kings; it involves a family and it’s told from a perspective of a Labrador dog. So it’s… it plays fast and loose with Shakespeare, but the great thing about Shakespeare is the themes are universal, so even though the specific people he’s talking about may be historical figures, and they may be set in a certain time and place, the themes apply to 21st century families as much as they did to royal families 500 years ago. The other… my… my second novel was based on Hamlet, which is obviously a more… more well… widely known play, and it was called The Dead Fathers’ Club. Again, it was set in contemporary times, it was set in England, the town I grew up in, Newark-on-Trent, and it wasn’t about a prince, it was about an 11-year-old boy and… but facing the same dilemma about whether to kill his uncle, after his uncle had moved in with his mother. So, yes, Shakespeare, I… I could have spent a whole career just copying Shakespeare, but he was… if… if you’re going to be taught by anyone and if you’re going to be influenced by anyone in the English Language, I think you can’t go wrong with Shakespeare!

(Matt Haig was talking to Mark Worden)

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